Nirvamlet
Band of Toughs
“Leading the charge on the more anarchical side is Stelter as Courtney Love — a boozy wreck in a hideous dress and cheap sunglasses crashing through scenes like she just staggered in from the mosh pit. She’s tremendous — a character so annoying you sorta can’t stand her but are eager to see her weird act return in the next scene.”
Alex Miller, Onstage Colorado
June 17th, 2019
“…the typically dramatic ‘get thee to a nunnery’ scene between Hamlet and Ophelia fell flat for me, until Queen Courtney Love burst out into a caterwaul to liven things up.”
Erica Reid, Go West, Young Woman
June 23rd, 2019
Anne of Avonlea
What A Do Theatre
“... one wonders why [Stacy Little] is not also joined by resident company members who made last year’s show so good, such as Dave Stubbs and Kristin Marie Stelter.”
Christopher Tower, Battle Creek Enquirer
December 5th, 2015
How I Learned To Drive
What A Do Theatre
“Stelter is well known to What A Do audiences, and she delivers another strong and complex performance as Li’l Bit, who must be characterized over many scenes covering three decades, necessitating that Stelter change her delivery to reflect the character’s age many times while also narrating the show.”
Chris Tower, Battle Creek Enquirer
March 16th, 2015
1984
What A Do Theatre
“The chemistry between Stelter and Dely communicates volumes in what must be a shortened version of what plays out in the novel. There is a tension and fear that underlies their relationship, a forbidden love which they both know is doomed.”
Bridgette Redman, Encore Michigan
October 11th, 2014
The Tempest
What A Do Theatre
“Kristin Marie Stelter fills the role of Prospera with strength, mysteriousness and raw power. She is not old, but ageless, an interpretation that lets her be mistress, mother and crone all blurred together.”
Bridgette M. Redman, Pride Source
April 20th, 2014
“Kristin Marie Stelter continues to prove she is one of the most important and talented members of the What A Do company with her majestic work as Prospera. She is regal and frightening when the role demands it and aggrieved and miserable when stripped of her powers at the end of the show.”
Chris Tower, Coloradoan
March 15th, 2014